Secretary’s Report,  2001 -  2002

 

Do your neighbours or work-colleagues know what you get up to on the third Tuesday of the month? What about the first Tuesday? Or are you a closet poetryphile? Is it all kept close to your chest or in that top drawer as you might keep the erotic novels?

 

I ask this, because only recently I have started telling people I know about my poetic activities, our poetic activities. As it’s such a minority interest, most people respond by saying something along the lines of, ‘Hmmm, I’ve never been to a poetry reading… what’s it like?”  or “I hope its nothing like what we had in school. That really turned me off poetry for life.”

 

We get the most wonderful poets to read to us here in Tunbridge Wells, and yet so few people in our area know about our goings-on. So, here I am, taking advantage of my secretarial platform, and asking each of you to be a bit more pro-active about spreading the word.  Next time you venture out on a Tuesday night, ask a friend or two to join you. See what the response is. Shake things up a bit.

 

When I get to this bit of the secretary’s report, recapping the highlights of the year, it is always intriguing to see what stands out in my mind most of all before digging a bit deeper into the recesses.

 

Though so much of what we do in the society has a contemporary feel to it, two events that stand out for me over the past year have a historical bent. The first, was our autumn writing week at the absolutely sumptuous Sheafhayne Manor House in East Devon. We never know quite what to expect when we book a different large house each year with ten bedrooms. And we never imagined such luxury at the price. We’re talking walled garden, grand hall dining room, Aga, billiard room and two very modern dishwashers (electric variety).  The place was so perfect, all those present agreed to book it again for this year, but not surprisingly,  it was already booked. So we look forward to seeing what the next house with 10 bedrooms, ‘The Barn’ in Dartmoor has in store for us next week.

 

The other historical connection of the year was our July meeting at member Hazel Pope’s place in Chiddingstone. Hazel lives in ancient property owned by the National Trust, and graciously shared it with us this year. The huge fireplace, low-beamed ceilings and central position in this beautiful village made it a total treat to visit.  We all brought poems on the theme of ‘alcohols … things that carry you away’, for a memorable summer evening.

 

Our society also broke with history this year and for the first time combined the annual poetry competition anthology with our annual member’s folio selection. It makes for an impressive ‘Poetry Folio 56’, and congratulations are due to Mary Gurr for winning the cup with her poem, ‘Mirage’, and to Sally Carr for being our first prize open competition winner with her poem ‘The Language of Oceans’. 

 

These two annual events are always well attended, and it’s not just the winning poems that stand out, but the judge’s comments. Roddy Lumsden, who adjudicated our open competition this year, said he was ‘looking for poems that surprised me, which delighted in language, which used form, whether in a traditional sense or not.” Here here. And take a tip from Roddy… don’t even be tempted to centre your text, colour the font, or put ‘The End’ at the bottom - apparently all common mistakes when entering competitions.

 

When pondering what makes one poem better than another, Michael Laskey, our Folio adjudicator at the May meeting , said  “I want to be immediately intrigued, then absorbed by the detail of the journey and to end up somewhere I hadn’t anticipated. Line-endings particularly interest me with the possibilities they offer for momentary uncertainties and ambiguities.”

 

Which brings us to the highlights of this year’s poetry readings.  In January, we continued the tradition of inviting three of our own members to read. This year it was the turn of Liz Dawes, Mara Bergman, and Keith Francis. Three very different poets, styles and subject matters, and a great opportunity to get to know their work better.

 

In February, John Stammers held us open-mouthed with his often surreal, and humorous take on life, not forgetting details of ‘what do you do on your week off’ as he read from his collection, ‘Panoramic Lounge-bar’, winner of  the Forward Prize, Best First Collection for 2001.

 

Greta Stoddard, who graced our floors in November with a wonderful reading from her first collection, ‘At Home in the Dark,’ was on the same short-list and is a friend of John Stammers.  Word has it, the two contenders made a deal - the eventual winner would treat the other one to a meal at a restaurant of their choice. I have it on good authority that Greta chose the Oxo Tower, and John duly paid the bill.

 

One of our open-competition winners, Sarah Wardle,  was, coincidentally, also booked the following month to read to our society, so not only did we get to hear her prize-winning poem, ‘No Man’s Green in March, but we enjoyed a whole evening the following month from this up-and-coming local poet.

 

In June, an expectant Katherine Pierpoint met her expectant audience with readings  from her book Truffle Beds, and from her more recent work, not yet in print. Her poetry was very moving and her delivery spot-on. Excuse the pun, but the other delivery is officially down for the 23rd October. Her husband, Nick, contributed to the poetry in his last update this week by saying,  “The rocket is in the bottle and the fuse is lit'.”

 

In September, our most recent reading, we indulged in not only the vivid poetry of Jem Poster, but also an excerpt from his first novel, ‘Courting Shadows’.  His insights into the genesis of his writing got us all thinking about the creative process and how it works for us as individuals. Fascinating.

 

Brain cells were working overtime one Saturday in March when George Szirtes led our group of 14 through its paces at the Beacon pub. As ever, George was in fine form. We were challenged to take on new voices. Challenged to narrate pictures. Challenged to write the first line of a novel. It is a rare opportunity  to be stretched like that. Thank you George.

 

Our  Christmas party was hosted for the first time by Mary Barry and it was filled with unexpected delights. From the crispy prawn won-tons to the magic of passing an unfinished  story around a circle, and seeing where it leads. Then there were those novel titles. Charades has never been so much fun.

 

Finally, I can’t wind this report up, without saying thank you. Not only to all our readers and hosts and judges, but also to our members for helping to make this society such a friendly and lively group. To Lynne for doling out the wine with a smile each month. To Mary for administering the open competition. To John for keeping the publicity going and organising the autumn writing week every year. To Graham for handling the funds, writing those cheques, and for contributing so many  bright ideas for the program. And most of all to Clive, who year after year, keeps the wheels of this well-oiled machine moving happily along. It’s been another satisfying and inspiring year for poetry in Kent and Sussex.

 

Joyce Mandel Walter

Secretary, Kent and Sussex Poetry Society

15th October, 2002

 

 

 

 

 

 


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